Tuesday, 19 October 2010

MashingUp: Art+Labour, 9th November, CCA Glasgow

Art+Labour is a public conversation exploring the conditions and experiences of creative labour in the cultural industries - working conditions, pay, working hours; freedom and autonomy, pleasure and obligation; insecurity and uncertainty; social reproduction, networking and isolation - and artists' organising within it - unions, artists' associations, or self-organised studio/exhibition spaces. What diverse forms of employment do artists undertake? Who are their employees? How secure and how flexible are these forms of employment? What are the conditions of employment and how are these changing? What can we say of artists' autonomy in relation to contemporary labour practices? How do cultural workers effectively organise around labour issues? What would it mean for artists to withdraw their labour in defence of conditions in one's primary or secondary employment? With successive governments' emphasis on arts' social function, how does communality express itself in competitive Creative Industries? What is industrial about the Creative Industries; where do 'Cultural' producers sit within the policy frame of the 'Creative' Industries? How do we as cultural producers recognise our own positions and dependency on/within/alongside the public sector? With the entrepreneurial restructuring of the arts in Scotland and in the face of selective public sector cuts throughout the UK, how constructive are artists' isolated appeals for a state of exception? What is so unique about artists in the social factory? These are some of the questions to be addressed during this public conversation. 

The discussion is open to anyone - cultural workers, artists, students, interns, precarious and self-organised labour affiliated to academia - concerned with issues of art, labour and economics. The event will begin with a series of short position statements from invited speakers followed by discussion among panelists and audience. 

Panelists include: 

Angela McRobbie Professor of Communications, Dept. of Media & Communications, Goldsmiths 

Scottish Artists Union The representative voice for artists in Scotland

Graham Jeffery Reader: Music and Performance, rhe School of Creative and Cultural Industries, UWS

Katarzyna Kosmala Reader, Centre for Contemporary European Studies, UWS 

Gesa Helms Researcher and artist

Brett Bloom Member of Chicago-based art collective Temporary Services who recently produced 'Art Work : A national conversation about art, labour, and economics' 

Owen Logan Researcher, School of Divinity, History and Philosophy, University of Aberdeen

Facilitated by Gordon Asher Effective Learning Tutor, UWS Centre for Academic & Professional Development

Event is free but ticketed, tickets available from CCA Box Office: CCA, 350 Sauchiehall Street, Glasgow G2 3JD tel : +44 (0)141 352 4900 http://www.cca-glasgow.com 

"MASHING UP" : Art+Labour is organised by Leigh French, co-editor of Variant, and Sophie Hope, member of Making A Living, in co-operation with Graham Jeffery of the School of Creative and Cultural Industries, University of the West of Scotland, and supported by CCA, Glasgow. 

 “MASHING-UP...” A Public Lecture Series presented by UWS and CCA This ongoing lecture series stimulates critical, transdisciplinary research communities to discuss advanced knowledge and to build networks of excellence among producer communities. ‘Mashing up’ [definition] "a mashup is a web page or application that combines data or functionality from two or more external sources to create a new service. The term mashup implies easy, fast integration...to produce results that were not the original reason for producing the raw source data" (Wikipedia, 2009). The lecture series exhibits the values of new media culture to explore synergies between institutions, ideas and disciplines. This aspiration originates with the UWS and CCA partnership, which extends to the specific areas of inquiry that we pursue. It advances the core mission of each organization to initiate applied, international research opportunities through experimental, local dialogue to foster collaborative, bottom-up, sustainable practices of development. #mashingup We want attendees to blog, photograph, film, tweet and do all they can to share the content of these talks to democratize access to knowledge.


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