Wednesday, 19 September 2012

Ayr Converses: Adaptation

ayr converses                       

Adaptation : invitation/outline
Monday 22 October 2012 : 6pm–8pm: University of the West of Scotland, Ayr Campus

You are warmly invited to the third presentation/conversation in which we focus on adaptation in creating spaces & places: adaptation that is driven by a vision of creating buildings and spaces that are meaningful to communities. Community empowerment and engagement is central to this vision of place making. We are delighted that the presentation will be led by award-winning architects Andy McAvoy and Ann Nisbet of Edo Architecture. Andy’s work will be familiar to many from the sustainable pods he designed for the BBC reality programme “Castaway”, which he redesigned for use at Cove Park. Ann works not only as an architect but as a designer & visual artist. This innovative Glasgow-based practice has a wealth of expertise and an unique vision to share. Their love of George Wyllie the artist led to our meeting. We dedicate the evening to George Wyllie whose ‘Paper Boat’ famously sailed into Ayr harbour.

Chris Fremantle of eco/art/scotland and co-founder of ayr converses will chair the Q&A & participate with Andy & Ann in the wrap-up session.

Andy & Ann have set out their thoughts for the presentation:

“We will set an international context for modern place making. We will show how we and our work have had to adapt and how we anticipate having to adapt further. We would show slides of two completed projects & introduce two live projects from a community empowerment perspective: Govan’s Water Row and Pollokshield’s Garden Mile.”
Andy McAvoy & Ann Nisbet, Edo Architecture + Ann Nisbet

The presentation will help us to focus on the adaptation we all need to make in our thinking and practice if our approach to regenerating Ayr town centre and key derelict land & stalled spaces in Ayr is to succeed. We will consider (in outline & more fully at a later presentation/conversation) how the Scottish Government’s commitment to community empowerment could lead to a changed landscape in public participation in Ayr, and beyond with creative civic dialogue seen as the way forward.

Andy & Ann’s collaborative way of working with communities & clients alike is a model of engagement and empowerment. Their focus is on listening, engaging, drawing, redrawing, listening and drawing again until the shared vision is realised. Their work in Govan – including ghosting lost communities – is both inspiring and empowering. Chris Fremantle will make the connection to Ayr in setting out how eco/art/scotland plans to develop work around stalled spaces, with reference to Plot 9 & the Affleck’s site by way of modelling, drawing, cultural mapping & community gardening.

The presentation follows on from the inspiring first two events in this series that were led by Malcolm Fraser, the award-winning architect who has continued to maintain an involvement in developments in Ayr.

The shape of the evening follows our 1st two sessions: the presentation opens the evening, followed by a Q&A session. There is then an opportunity to converse over a glass of wine and canapés, before returning for a wrap-up session that looks forward to actions and future presentation/conversations. A note of the evening will be made and circulated with agreed actions for the future.

ayr converses is an ideas bank + soundboard for Ayr, strengthening community ties and furthering arts and culture-led economic regeneration.

A small collection will be made towards the costs involved in the venue and refreshments. 

Wednesday, 22 August 2012

Translating Russian and Eastern European Cultures


Translating Russian & East European Cultures*
CCA, Glasgow, 28-29 September, 2012


Friday 28 September 2012


Cinema Space
1100-1700 Cinema screening, Intermediality of image and politics:  Major retrospective of video work by Marina Gržinić and Aina Šmid (curated by Katarzyna Kosmala)

Theatre Space
1300-1400 Marina Grzinic lecture, Micro-economies of artistic production and its politics in CEE, both under Communism and in contemporary reality of neo-liberalism and capitalist globalisation of the ‘former East’

1415-1500 Elena Isaeva & Catrin Webster, Talk to accompany the 1000 Colour Blue exhibit

15.10-1530 – 1000 Colours Blue Film – A short film of hues and voices, of the premier performance of the 1000 Blues collected from the sea-landscape of Swansea, and sung by a choir that translated the colours into sound, intertwining Classical elements with Mongolian Overtone themes. Part of the AHRC Beyond Text project Future Memory in Place

1545 - 1715 Brendan Jackson & Graham Jeffery, Approaches to community engagement through art

1745 – 1845 Welsh-Estonian music collaboration SILD

1900 drinks reception CCA foyer

Club Room

1100-1600 – BASEES Postgraduate Workshop, Intersectionality in the study of Central and East Europe 

Saturday 29 September 2012

Cinema Space

1100-1800 Cinema screening, Intermediality of image and politics:  Major retrospective of video work by Marina Gržinić and Aina Šmid (curated by Katarzyna Kosmala)

1200-1300 Katarzyna Kosmala, Marina Grzinic & Ryszard Kluszczynski in conversation. Intermediality and political changes across Europe of today


All events are free but spaces are limited, if you would like to attend any of the events email your details to Prof. Katarzyna Kosmala (Katarzyna.Kosmala@uws.ac.uk) & Jon Oldfield (Jonathan.Oldfield@glasglow.ac.uk)


*Translating Russian and East European Cultures is a Research Networking initiative funded by the UK’s Arts and Humanities Research Council. See the following website for more details: http://www.gla.ac.uk/schools/socialpolitical/research/centraleasteuropeanstudies/projects/treec/

Tuesday, 21 August 2012

Northern Perspectives: Arctic Arts Education and Arts-Based Research Methods


Presenters: Professors Timo Jokela and Glen Coutts, University of Lapland
Discussants: Chris Fremantle (Eco-Art Scotland/PAR+RS) and Alison Bell (artist/doctoral researcher, UWS)
Convenors: Diarmuid McAuliffe and Graham Jeffery, UWS
Date: Saturday 22nd September 2012
Time: 2pm - 4pm
Venue: GoMA Gallery of Modern Art, Glasgow
If you wish to attend this free public seminar please register your interest with diarmuid.mcauliffe [at] uws.ac.uk. Places are limited. 

Monday, 20 August 2012

ATLAS Talking Art Series: Chris Dooks


Saturday 1 September 2012
2.00 – 3.00 PM
Tigh-na-Sgire, Park Lane, Portree, Isle of Skye

POLYMASH ARTIST & COMPOSER CHRIS DOOKS OVERCOMES M.E.  IN PURSUIT OF "CHAOTIC MULTI-DISCIPLINARY PRACTICE"

Chris Dooks is a Scotland-based audiovisual artist and doctoral researcher at UWS.  He is also a composer of electronic music and sound art. His recent work includes Moons or These Knots are Not Knots, an installation commissioned by Ayr Renaissance, for Ayr Open Doors Weekend 2011. Visitors to an isolated room in the former poor house, Holmston House, were presented with a Victorian chest of drawers on top of which the word “MOONS” was balanced. Chris has created an audio track to accompany the work and states “It is especially suitable for the chronically ill and incarcerated and was written for them…”

Dooks’s other work includes the Studio1824.com Exhibition at Timespan, in Sutherland, Scotland. In 2008, Timespan selected Dooks for an artist’s residency focusing on the Helmsdale Icehouse. Dooks's project comprised several pieces of work including a live sound performance, an exhibition and a net label to promote recordings made in or around the Helmsdale Icehouse.

Dooks worked in television as a director of arts programmes until 1998, when he fell ill. On his web site, he describes the “intense learning curve” of coping with chronic ill health and his return to his training as a photographer: “Over the following decade, I developed a successful art practice sympathetic to my new life which has been the foundation for academic enquiry since 2010. My forthcoming PhD deals with creative strategies regarding the illness Myalgic Encephalomyelitis or M.E, asking how such an art practice may serve to offset or augment the relationship between the cultural practitioner and the illness.”

Emma Nicolson, ATLAS, director commented: “This is an artist who has faced considerable challenge after embarking on an exciting career in the media producing programmes for such as ‘the South Bank Show’. Illnesses of this kind can undermine our belief in our ability to succeed in having a worthwhile life and achieve our ambitions. Chris is a truly imaginative artist whose work crosses many areas of interest; film, music, mapping, and photography and who more than a decade on Chris Dooks reminds us what can be achieved.”

ATLAS is an arts organisation working “without walls.” We are keen to offer our audiences insight in to the work of creative practitioners. This is an exciting opportunity for the public to come along and hear about the many ways in which artworks come into being.

Thursday, 12 July 2012

Making Routes

Lecturer in Performance David Overend has established this network and online resource for researchers, artists and practitioners interested in exploring the relationships between performance and journeys. Visit http://makingroutes.ning.com/

Processes, Outcomes, Pathways and Products (POPP): A Scottish Practice-as-Research Symposium

Processes, Outcomes, Pathways and Products (POPP): A Scottish Practice-as-Research Symposium


20th and 21st of November 2012  


POPP is an interdisciplinary symposium for postgraduate students and early career researchers in the Arts and Humanities who use practice-as-research methods in Scotland. The symposium will take place on the 20th and 21st November 2012 at the Centre for Contemporary Arts (CCA) in Glasgow. During this a formal peer-led research network with an online home will be launched. The event aims to reach beyond the traditional conference format by emphasising research training and opportunities to share practice. Research can be presented through papers and practice demonstrations which might include installations, performances, readings, exhibitions of artworks or maps, concerts, workshops or any similar formats. This conference seeks to contribute to the method of practice-as-research beyond disciplinary boundaries. As such contributions are welcomed from fields including but not limited to Theatre and Performance Studies, Art History, Creative Writing, Translation Studies, Education, Interpretation, Film Studies, Anthropology, Music and Sonic Arts, Architecture, Geography, Cartography, Ethnology, Archaeology, Design, Journalism, Publishing, Curating and Museum Studies and Archiving.


Alongside the presentation of research projects, POPP will offer training workshops to attendees. Confirmed workshops include a creative training workshop with Anna Birch from the Royal Conservatoire of Scotland, workshops lead by the Humanities Advanced Technology & Information Institute (HATII) of the University of Glasgow and an Emerging Scholars Forum.


Following the event there will be the opportunity to continue conversations on our Wikispaces site: http://par-scotland.wikispaces.com/ . This site will also be used to document the symposium. Call for submissions of either 20-minute research papers Presentations of practice Requirements The researcher must be affiliated with a Scottish institution. Practice must have a formal research element and be situated within the academy.


More information here: 
http://par-scotland.wikispaces.com/CfP

Saturday, 30 June 2012

Vinyl Shangri-La

Vinyl Shangri-La - An Evening of Extremely Rare Records


Saturday 18th August 2012


CatStrand Arts & Visitor Centre, www.catstrand.com 01644 420 374

Catstrand Artist-in-Residence Chris Dooks is also a composer and PhD student, based in Ayr.

Part-talk, part desert-island-discs and over a relaxed and informal evening, Chris will play a variety of vinyl records, from 100 year old 78s to cutting-edge contemporary vinyl and speak about the resurgence of the vinyl format amongst musicians, fans and visual artists.

Childrens’ Records, Spoken Word, Early Electronic Music, Soundtracks, Neo-Classical, Neo-Folk, Private Press, Drone, Kosmische, Electronica, Ambient – become acquainted with these genres over a highly eclectic evening and discover the record that Chris paid £100 for!

£2/£3 with a free glass of wine - booking recommended

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